The dance hall was a symbol of social, cultural and political change. From the mid-1920s until the mid-1960s, the dance hall occupied a pivotal place in the culture of working- and lower-middle-class communities in Britain. Its emergence and popularity following the First World War reflected improvements in the social and economic well-being of the working and lower middle classes. The architecture of dance halls reflected these modernising trends, as well as a democratisation of pleasure. The very name adopted by the modern dance hall, 'palais de danse', emphasises this ambition. Affordable luxury was a key part of their attraction. This article examines how the architecture of dance halls represented moments of optimism, escapism and 'modernity' in British history in the period 1918-65. It provides the first overview of dance halls from an architectural and spatial history perspective.
CITATION STYLE
Nott, J. (2018). Dance Halls: Towards an Architectural and Spatial History, c. 1918-65. Architectural History. Cambridge University Press. https://doi.org/10.1017/arh.2018.8
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