The Japanese and korean martial arts: In search of a philosophical framework compatible to history

Abstract

The popular discourse about Asian martial arts has often been surrounded by an aura of esotericism, so pervasive that it even influenced the academic discussion to some degree. Moreover, nationalistic motives to promote certain martial arts narratives often prevail. This article focuses on the frequently flawed philosophical and historical discourse surrounding the Asian martial arts. In particular, this study concentrates on the academic discussions of the Japanese and Korean martial arts, and the search for a philosophical framework compatible with historical narratives. The Japanese created a romantic but also nationalistic martial arts narrative that aligned with the ideals of the Meiji Restoration. This romanticized image was naively accepted in the West, often imported along with esoteric ideas of the East. And, as most modern Korean martial arts originated in Japan, the Korean martial arts discussion aligns with that of Japanese martial arts, and this alignment has been a point of heated dispute. Discussions of Korean martial arts reflect a search for a definitive identity of the Korean martial arts community as well as the desire to establish a martial arts tradition independent of those of Japan as well as China. However, the discourse has often been influenced by western, albeit biased and perhaps faulty, historical views, and ideas about martial arts traditions.