This new study of British popular music shows how it engages with class in mythical ways that allow audiences to perform class-based identities. Case studies on folk rock, punk and indie rock show how this performance works and explore the implications for listeners and audiences.
CITATION STYLE
Wiseman-Trowse, N. (2008). Performing Class in British Popular Music. Performing Class in British Popular Music (pp. 1–208). Palgrave Macmillan. https://doi.org/10.1057/9780230594975
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