Concert Hall Acoustics Based on Subjective Preference Theory

Abstract

This chapter describes the theory of subjective preference for the sound field applied to designing concert halls. Special attention is paid to the process of obtaining scientific results, rather than only describing a final design method. Attention has also been given to enhancing satisfaction in the selection of the most preferred seat for each individual in a given hall. We begin with a brief historical review of concert hall acoustics and related fields since 1900.