Behind the frontiers of the real: A definition of the fantastic

13Citations
Citations of this article
7Readers
Mendeley users who have this article in their library.
Get full text

Abstract

This book offers a definition of the fantastic that establishes it as a discourse in constant intertextual relation with the construct of reality. In establishing the definition of the fantastic, leading scholar David Roas selects four central concepts that allow him to chart a fairly clear map of this terrain: reality, the impossible, fear, and language. These four concepts underscore the fundamental issues and problems that articulate any theoretical reflection on the fantastic: its necessary relationship to an idea of the real, its limits, its emotional and psychological effects on the receiver and the transgression of language that is undertaken when attempting to express what is, by definition, inexpressible as it is beyond the realms of the conceivable. By examining such concepts, the book explores multiple perspectives that are clearly interrelated: from literary and comparative theory to linguistics, via philosophy, science and cyberculture.

Cite

CITATION STYLE

APA

Roas, D. (2018). Behind the frontiers of the real: A definition of the fantastic. Behind the Frontiers of the Real: A Definition of the Fantastic (pp. 1–127). Palgrave Macmillan. https://doi.org/10.1007/978-3-319-73733-1

Register to see more suggestions

Mendeley helps you to discover research relevant for your work.

Already have an account?

Save time finding and organizing research with Mendeley

Sign up for free