This commentary reflects on the gender politics of the case studies examined in Ben Gerlofs’ excellent article, ‘Deadly Serious: Humor and the Politics of Aesthetic Transgression’. In addition, it considers the innate difficulties of studying an entity (humour) that diverse disciplines have found impossible to completely define.
CITATION STYLE
Kirby, P. (2022). Humour, for whom? Dialogues in Human Geography, 12(2), 260–263. https://doi.org/10.1177/20438206221075696
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