Besides partial models with emotional, gestural, or analytical rationales, there are two models that comprise all these approaches. We want to briefly present them for completeness, and less because they offer a deeper insight into the complex of problems related to expressive performance.
CITATION STYLE
Mazzola, G. (2011). Two Generic Models and the Challenge of Improvisation. In Computational Music Science (pp. 163–172). Springer Nature. https://doi.org/10.1007/978-3-642-11838-8_18
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