This book explores one of this century’s more successful business entertainment partnerships — that between the major hit music makers and their new significant others, reality TV producers. It examines how the major players in the popular (pop) music industry have mobilised their forces to assert influence in an emerging decentralised music landscape.
CITATION STYLE
Cvetkovski, T. (2015). The Sociology of Reality TV, the Political Economy of the Music Industry and Convergence of the Twain. In Pop Music, Culture, and Identity (Vol. Part F1515, pp. 3–42). Palgrave Macmillan. https://doi.org/10.1057/9781137494467_1
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