The UAH team is developing successive projects of heritage evaluation in the International Tagus, focused on the megalithic culture. Our surveys, based on the theoretical statement of a predictive model that considers the presence of outdoor paintings, make the Sierra de San Pedro one of the most important schematic painting groups of the Iberian Peninsula. Its parallel development to the sites with outdoor engravings in the International Tagus draws a complex set of symbols with a major role in the definition of megalithic territories. The identification of Palaeolithic figures coincides with similar recurrences documented in outdoor sites of the western peninsula, pointing to the resort to the past as one of the arguments of vindication and use of traditional territories.
CITATION STYLE
Ramírez, P. B., de Behrmann, R. B., Bermejo, R. B., Ramírez, F. C., Carballo, J. A., Vasco, J. A., … Cilleros, P. S. (2010). Secuencias gráficas Paleolítico-Postpaleolítico en la Sierra de San Pedro. Tajo internacional. Cáceres. Trabajos de Prehistoria, 67(1), 197–209. https://doi.org/10.3989/tp.2010.10036
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