IMÁGENES DEL FIN DEL MUNDO: EL APOCALIPSIS EN LAS XILOGRAFÍAS DEL ARTISTA ALEMÁN ALBERTO DURERO

Abstract

This work focuses on an important moment in the history of communication such as the diffusion of the printing press and the development of the engraving techniques applied to printing. It studies in depth the images of the biblical book of the Apocalypse illustrated by the German artist Alberto Durero by the end of the fifteenth century. This article analyzes the historical context where they were produced, the personality of the artist and the circumstances surrounding his life, and the very own xylographic images, whose antecedents and characteristics are traced. © 2013 Universidad de Los Lagos.