In 1968, the American ?lm industry was in its second decade of a box of?ce slump. Many Hollywood executives and ?lmmakers put the blame on the Production Code, a strict regime of censorship authored by a Jesuit priest (Daniel Lord) and a Catholic pro-censorship activist (Martin Quigley).1The Code had hamstrung production since 1930 and American ?lmmakers and ?lmgoers seemed primed for a change (see Chapter 1).
CITATION STYLE
Lewis, J. (2013). “American morality is not to be trifled with”: Content Regulation in Hollywood after 1968. In Global Cinema (pp. 33–47). Springer. https://doi.org/10.1057/9781137061980_3
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