Crossing boundaries

Abstract

The distinctive works of fine artist Lidia Syroka, who lives and works in a two-room studio in Paris, are reviewed. She refers to her untitled works as paintings though her first American exhibition catalogue (autumn 2001) presented them as "sewn handmade paper". Her Tartar and Polish origins are noted, and her painting studies in Paris 1982-1985. Using layers of paper, pigment, threads, tattered fabrics, weathered woods, metals and various colouring agents, she first emerged in 1990 and her development in the decade since is described. Her recent works are approximately four-six feet in any direction and her working method and selection of materials are explored. Many processes are incorporated and she is highly disciplined, working all day, every day. Pablo Picasso is her single major influence and attention to "fortuity or chance while working" is noted. Her work crosses art and craft boundaries and many worlds are relevant to it. Her basic philosophy and approach is noted and "she quietly and simply speaks of what she feels".