The Dynamics of Non-Scripted Entertainment: Formats and Local Adaptations

Abstract

Chapter 5 focuses first on a successful global case of the new wave of non-scripted entertainment programs: the Big Brother format. The program constitutes a successful example of glocalization of entertainment: A global format is distributed and adapted locally worldwide, activating global, local, and ``glocal'' factors. Subsequently, the specific business practices associated with the development, distribution, and adaptation of non-scripted entertainment programs are explicated, analyzing the differences with scripted entertainment, as feature-length motion pictures and TV series, drama or comedy.