War reenactors and “living history” groups (who perform for the public only while reenactors perform both publicly and privately) have grown from a small phenomenon to a startling array of contemporary groups and events. In the United States alone, war reenactments draw thousands of participants and spectators each year; in 1998 as many as 25,000 “troops” took part in a huge recreation of the 1863 Battle of Gettysburg. Reenactment is not focused on the Civil War alone, however; it has grown to encompass nearly every war that has ever been prosecuted. Is the drive to reenact a passion to make history “visible” or a desire to personally participate in a grand imagined narrative? How does historical reenactment intersect with contemporary culture, politics, and society?.
CITATION STYLE
Apel, D. (2013). Violence and historical reenactment: From the American Civil War to the Moore’s ford lynching. In Violence and Visibility in Modern History (pp. 241–261). Palgrave Macmillan. https://doi.org/10.1057/9781137378699_13
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