By the analysis of the “non-representation” of flora in the Aguada iconography from Northwestern Argentina, we explore ideas that invite us to reject naturalistic interpretations. Such interpretations imply an application of categories generated by modernity on non-Western material records. We propose to re-think representations by taking account ambiguity and multi-referentiality, as weel as to discuss interpretations of some relevant elements of the Aguada imagery.
CITATION STYLE
Marconetto, M. B. (2015). El Jaguar en flor: Representaciones de las plantas en la iconografía Aguada del Noroeste Argentino. Boletín Del Museo Chileno de Arte Precolombino, 20(1), 29–37. https://doi.org/10.4067/s0718-68942015000100003
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