Morfología de la no-narrativa en la animación

Abstract

The morphology is the study of the form, which allows us to locate, recognize and classify our environment. The objective of this text is to explore the narrative morphology in order to determine what the non-narrative structure is, based mainly on Understanding Animation by Paul Wells (2007 [1998]); Film Art: An Introduction by Bordwell and Thompson (1995 [1979]); and Movement as Meaning in Experimental Cinema by Daniel Barnett (2017 [2008]). In addition, six different non-narrative configurations are proposed, based on cinematographic discourses that defied the narrative canons like Vertov’s Kino-eye, the visual music, the structuralists and Peleshyan’s distance montage.