The Cambridge introduction to performance theory

32Citations
Citations of this article
51Readers
Mendeley users who have this article in their library.

Abstract

What does 'performance theory' really mean and why has it become so important across such a large number of disciplines, from art history to religious studies and architecture to geography? In this introduction Simon Shepherd explains the origins of performance theory, defines the terms and practices within the field and provides new insights into performance's wide range of definitions and uses. Offering an overview of the key figures, their theories and their impact, Shepherd provides a fresh approach to figures including Erving Goffman and Richard Schechner and ideas such as radical art practice, performance studies, radical scenarism and performativity. Essential reading for students, scholars and enthusiasts, this engaging account travels from universities into the streets and back again to examine performance in the context of political activists and teachers, countercultural experiments and feminist challenges, and ceremonies and demonstrations. Offers a comprehensive overview of performance theory's meanings and origins Provides accessible and wide-ranging accounts of the key ideas and thinkers Sets performance theory in its full historical and cultural contexts, bringing new insights to its theories and practices.

Cite

CITATION STYLE

APA

Shepherd, S. (2016). The Cambridge introduction to performance theory. The Cambridge Introduction to Performance Theory (pp. 1–245). Cambridge University Press. https://doi.org/10.1017/CBO9781139600194

Register to see more suggestions

Mendeley helps you to discover research relevant for your work.

Already have an account?

Save time finding and organizing research with Mendeley

Sign up for free