The conclusion brings this study back to the beginning of Michael Field’s career. Returning to Callirrhoë, this book furthers the analysis of how, for Bradley and Cooper, both self-creation and literary creation are bound up with sacrifice and modern thought. The creation of a new self requires the often painful abandonment of a previous one. In what is perhaps a nod to the “gemlike” facets of Pater’s burning flame, the multiplicity of selves represented by Bradley, Cooper, and Michael Field affirms an aesthetic orientation that requires being alive to every moment and movement—as well as being willing to shed the parts of oneself that are no longer vital. Artistic creation, too, is enabled by sacrifice. In the diary, Bradley writes that “we must not shrink from the perilous embrace of these mighty inspirations.” Mighty inspiration is necessary to art—but it is perilous and always threatens to overpower the artist. Throughout their lives, Bradley and Cooper maintain the courage to receive inspiration and to risk sacrificing themselves.
CITATION STYLE
Richardson, L. A. M. (2021). Conclusion. In Palgrave Studies in Nineteenth-Century Writing and Culture (pp. 257–262). Palgrave Macmillan. https://doi.org/10.1007/978-3-030-86126-1_9
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