This chapter takes a particular case study, that of the live multimodal signed gestural language, Soundpainting, to reassess the issues of intuition, dissemination and authorship in a collaborative context. It defines what Soundpainting is and illustrates how a performer-composer uses their intuition in the creation of a new work. It seeks new forms of dissemination and performance practice. It then questions the notion of authorship within a work which is created through a collaborative process, in the moment, using intuition and dialogue.
CITATION STYLE
Minors, H. J. (2020). Soundpainting: A Tool for Collaborating During Performance. In Artistic Research in Performance through Collaboration (pp. 113–138). Springer International Publishing. https://doi.org/10.1007/978-3-030-38599-6_7
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