Traces of Traces: Time, Space, Objects, and the Forensic Turn in Photography

  • Lowe P
N/ACitations
Citations of this article
15Readers
Mendeley users who have this article in their library.

Abstract

Images of atrocity are deeply problematic, in that they potentially create a tension between form and content and are often accused of re-victimization, aesthetization of suffering, compassion fatigue and exploitation. As an alternative, therefore, there is considerable potential in examining images associated with atrocity that do not depict the actual act of violence or the victim itself, but rather depict the material presence of the spaces and objects involved in such acts. The temporality of the photograph is also fluid in this type of approach. This paper considers the work of four photographers (Edmund Clark, Ashley Gilbertson, Shannon Jensen, and Fred Ramos) who have used a “forensic aesthetic” in their practice.

Cite

CITATION STYLE

APA

Lowe, P. (2018). Traces of Traces: Time, Space, Objects, and the Forensic Turn in Photography. Humanities, 7(3), 76. https://doi.org/10.3390/h7030076

Register to see more suggestions

Mendeley helps you to discover research relevant for your work.

Already have an account?

Save time finding and organizing research with Mendeley

Sign up for free