The explicit expression of counterpoint rules has always attracted scientists and musicians interested in computer science. It does not come as a surprise that the first musical piece composed with the help of a computer was a counterpoint simulation.1 The algorithmic flavor of the Gradus and its systematic organization into species [29] calls logically for a translation of composition techniques into formal mathematical models and algorithms.
CITATION STYLE
Agustín-Aquino, O. A., Junod, J., & Mazzola, G. (2015). Experimentation. In Computational Music Science (pp. 101–125). Springer Nature. https://doi.org/10.1007/978-3-319-11236-7_6
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