Idols exist primarily as a carefully constructed mode of performance. While, of necessity, this mode of performance is most commonly generated by a living body, dependence upon a physically present performer is not inevitable. Originating in Japan but also...
CITATION STYLE
Black, D. (2012). The Virtual Idol: Producing and Consuming Digital Femininity. In Idols and Celebrity in Japanese Media Culture (pp. 209–228). Palgrave Macmillan UK. https://doi.org/10.1057/9781137283788_11
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