Previously, there has been a tendency to transfer everything in steady-state sounds not related to the sensations of loudness or pitch, to a residual basket of sensations called timbre. Using this definition of timbre, it is necessary to extract from the mixture of...
CITATION STYLE
Zwicker, E., & Fastl, H. (1999). Sharpness and Sensory Pleasantness (pp. 239–246). https://doi.org/10.1007/978-3-662-09562-1_9
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