Music cities with their popular economic focus are omnipresent and are one of the world’s fastest growing urban spaces. Building on urban sociability discourse, laced with a journalism lens, this chapter introduces the rationale, scope, aims and significance of the book. Adopting a western perspective, it interrogates the music cities paradigm, its history, development and future. Highlighting that urban sociability offers a much-needed social, cultural and emotional perspective of music activity, it introduces a set of algorithms to assess its value, for example, A (Economics), B (4 Ts creative index), C (Heritage) and D (Music Cities Definition). Grounded in urban, cultural and political contexts, and based on rigorous, place-specific data, this chapter introduces the case studies of the book, Melbourne, Austin and Berlin.
CITATION STYLE
Baker, A. (2019). Introduction: The Great Music City, Exploring Music, Space and Identity. In Pop Music, Culture, and Identity (Vol. Part F1523, pp. 3–34). Palgrave Macmillan. https://doi.org/10.1007/978-3-319-96352-5_1
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