Volver a la esencia del cine. Hacia una revisión de sus formas expresivas

Abstract

The rapid change in the media is clamoring for a rethinking of the expressive forms -which do not travel as fast as technically- with which reality is part of the representation. To deprive the film of artifice, can cause a greater approach to its purity? We explore the concept of Realism; we study the first theorics interested in finding the parameters that give the cinema its essence. This allows us to understand and address its expressive substance to near us to the poetic which is inside in the own nature of the cinematographic discourse.