Artistic methodology is an important aspect of any serious study of art. A detailed knowledge of the methods and techniques used by traditional artists, craftsmen, and architects will provide a more complete understanding of the bold trends, as well as subtle nuances within a given artistic discipline. As regards Islamic geometric patterns, the understanding of historical design methodology provides valuable insight into the initial development, refinement and maturation, and geographic distribution of this design tradition. However, such knowledge is not just relevant to historians of Islamic art and architecture. A detailed understanding of historical design methodology is especially germane to those who are involved with the incorporation of such patterns into their own creative enterprises. Yet, with the historical decline of this ornamental tradition, knowledge of the methods used to produce complex patterns was gradually lost. Even with the resurgence of interest in Islamic geometric patterns that began during the second half of the twentieth century, attempts to resuscitate this art form have been stymied due to the lack of understanding of historical methodology. This ongoing void has caused frustration among contemporary artists, designers, and architects who have had to rely upon merely copying existing designs. The loss of vitality is a great pity, for this design discipline still has much to offer. Indeed, the potential for new and original geometric patterns draws from an infinite pool that can never run dry. New designs are there for the creation, and a practical knowledge of this design methodology can be a great inspirational aid and indispensable tool for those engaged in the revival of this extraordinary artistic tradition.
CITATION STYLE
Bonner, J. (2017). 3 Polygonal Design Methodology. In Islamic Geometric Patterns (pp. 221–548). Springer New York. https://doi.org/10.1007/978-1-4419-0217-7_3
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