Exploring research into mobile phone use as props to subjective identity, Norman Taylor employs concepts from Michelle Foucault, Gilles Deleuze and actor network theory to discuss the affect of mechanisms of make-believe, from celebrity culture to avatar-obsessed game players, and digital culture.
CITATION STYLE
Taylor, N. (2012). Cinematic perspectives on digital culture: Consorting with the machine. Cinematic Perspectives on Digital Culture: Consorting with the Machine (pp. 1–242). Palgrave Macmillan. https://doi.org/10.1057/9781137284624
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