Interface Design Aesthetics of Interaction Design

Abstract

Esslinger believed that the 1950s was the era of production, the 1960s was the era of research and development, the 1970s was the era of marketing, the 1980s was the era of finance, and the 1990s was the era of integration, today is the era of intelligence. With the development of science and technology, human–computer interaction become an indispensable dynamic in life. How to strengthen human–computer interaction to make the product design more humanity is very important, so we need to think and research from the user’s perspective. Design plays an important role in artificial intelligence – every step from imagination to product cannot be separated from design. It is also very important for interface design in human–computer interaction design. No matter what kind of product it is, the first thing it will show people is the visual experience, and then it will produce interaction and deep experience. Therefore, design can be said to be the explorer, which must be ahead of the public thinking. In other words, design is the visual present one and design is the practitioner of imagination. Only in this way can we design works that satisfy the public. In intelligent interaction, what the design embodies is to allow users to have more in-depth experience and abandon the external form of design. Designers begin to think more deeply about what design means to people, cities and life. What does design shape the user experience? Esslinger once said, “the purpose of design is to create a more human environment. My goal has always been to design mainstream products as art.” According to the functions and characteristics of multi-sensory human–computer interaction interface, the design principles of simplicity and aesthetics, unity and diversity, ease of use and interactivity, static and dynamic, and rationality and sensibility are put forward.