As noted in our introductory chapter, a number of challenges must be negotiated when attempting to piece together the pre-history of storyboarding: the lack of surviving material, the sometimes unclear original usage of the documents that have survived, and the difficult task of defining what exactly might be considered an early or prototypical storyboard and what should not. Similar problems have confronted historians of early screenwriting, but there are significant, and revealing, differences.
CITATION STYLE
Pallant, C., & Price, S. (2015). The Pre-History of Storyboarding. In Palgrave Studies in Screenwriting (pp. 26–44). Palgrave Macmillan. https://doi.org/10.1057/9781137027603_2
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