Localizing the Narrative: The Representation of the Slave Trade and Enslavement Within Nigerian Museums

Abstract

This paper explores the interpretation and presentation of the transatlantic slave trade in Nigerian museums. It focuses on two contrasting case studies, namely the government-funded Slave History Museum (Calabar) and the privately run Seriki Faremi Williams Abass Slave Museum (Badagry). To investigate the complex and conflicting national and local narrative frameworks by which the slave trade and enslavement are presented to the public, this study focuses on qualitative content analysis of museum displays in addition to visitor observations. Comparative analysis of these museums suggests that this historically complex and emotional heritage cannot be understood in isolation from wider local, national, or global narratives. The paper explores the importance of taking a humanizing and empathetic approach to the presentation of the transatlantic slave trade in museums. I also consider how future practice might include ideas of localization and personalization to decolonize “official” slave trade heritage narratives in Nigeria and beyond.