This chapter discusses two faux documentaries originally broadcast during Discovery Channel’s Shark Week, Megalodon: The Monster Shark Lives (2013) and Megalodon: The New Evidence (2014). The chapter demonstrates the ways in which these two faux documentaries exemplify an ontological shift in the relationship between human and non-human animals, as non-human animals are replaced by their digital duplicates. In the faux documentaries, the return of a prehistoric animal in digital form seems to offer hope for future human survival on a planet increasingly hostile to life due to the long-term effects of climate change. However, the chapter argues that the expulsion of actual animals into the digital domain anticipates the disappearance of humankind from the face of the Earth.
CITATION STYLE
Fuchs, M. (2020). Imagining the Becoming-Unextinct of Megalodon: Spectral Animals, Digital Resurrection, and the Vanishing of the Human. In Palgrave Studies in Animals and Literature (pp. 107–123). Springer Nature. https://doi.org/10.1007/978-3-030-34540-2_7
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