Women and Images of Women in the Spanish Civil War

Abstract

At the end of the Spanish Civil War in the spring of 1939, General Franco celebrated his victory by decreeing that full military honours be accorded to two statues of the Virgin Mary. The first was Our Lady of Covadonga, patron of the first great reconquest of Spain through the expulsion of Islam in the middle ages. Now, after removal by her enemies ‘the Reds’ during the Civil War, she had been restored to her northern shrine in Asturias, marking the completion of what the decree described as the second reconquest. The other statue was of Our Lady of the Kings (de los Reyes) in Seville, invoked—so the decree ran—during the battle of Lepanto against the Turks in 1571 and the battle of Bailén agaínst the French in 1808, and invoked once more in the first desperate days of the military rising in July 1936, when a victory for the ‘Red hordes’ in Seville might have changed the whole course of the war. In Covadonga and Seville, in the undefeated stronghold of the Virgin of the Pillar in Zaragoza, and across the length and breadth of the country, the Virgin Mary had saved Spain and deserved every honour and tribute. It was equally true that from far north to far south, Franco and his armies and his Nazi, Fascist, and Islamic allies had made Spain safe for the Virgin Mary. There would be no more desecrated churches, no more burned statues, no more banned processions, just as there would be no more socialists, anarchists, communists or democrats. Spain would be Catholic and authoritarian, and Spanish women could concentrate their energies on emulating Mary, and being good wives and mothers or nuns.