Has the global art world really become porous, open to all artists irrespective of their origins-even if they come from what Paris or New York would consider the most marginal places?
CITATION STYLE
Wu, C. T. (2012). Bienais sem fronteiras? Novos Estudos CEBRAP, (94), 109–116. https://doi.org/10.1590/S0101-33002012000300005
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