… In capitalism and in fiction film, affective labour is waged and has an exchange value (Hochschild 1983: 7) even though it is … of the documentary protagonist is presented as being unrehearsed and unchanged, there naturally cannot have been any immaterial labour or artistic …
CITATION STYLE
Panse, S. (2014). The Work and the Rights of the Documentary Protagonist. In Marx at the Movies (pp. 171–197). Palgrave Macmillan UK. https://doi.org/10.1057/9781137378613_9
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