Short History of Performance Theory

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Abstract

A first look at the history of performance research seems to confirm Reinhard Kopiez’s thesis [62] that there are two unrelated threads: on the one hand the empirical research as typically represented by Carl Seashore’s measurements of agogics [62], and on the other the philosophical research as typically represented by Theodor Wiesengrund Adorno’s writings [2]. It is true that these threads can be recognized, and we shall give their short history below, but it is erroneous to consider them as being in any contradictory position.

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APA

Mazzola, G. (2011). Short History of Performance Theory. In Computational Music Science (pp. 11–20). Springer Nature. https://doi.org/10.1007/978-3-642-11838-8_3

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