This chapter argues that Chaucer in The Franklin’s Tale deploys wonder as an affective script that enfolds shame and creates its own reality. As a complex affective phenomenon that is somatic and cognitive, suspensive and mobile, stupefying and animating, wonder provides a strategic alternative to paradigms of shame or hope in reading premodern queer subject formation and futurity. Wonder as a queer temporal strategy suspends the present but also gestures toward an inscrutable future that is neither anti-relational nor utopic. Premodern queerness, in this instance, resides in the subject’s non-coincidence with declensions of the first, second, and third person. That is, the queer occupies the position of the fourth-person singular: the space of maximum attention and singular vitality that counters the disciplinary regime of marriage.
CITATION STYLE
Kao, W. C. (2019). The Body in Wonder: Affective Suspension and Medieval Queer Futurity. In Palgrave Studies in Affect Theory and Literary Criticism (pp. 25–43). Springer. https://doi.org/10.1007/978-3-319-97268-8_2
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