Beyond Representation: Translation Zone(s) and Intersemiotic Translation

Abstract

This essay uses Connelly’s practice-based research project Translation Zone(s): A Stuttering as a point of departure to contemplate the limitations and implications of applying linguistic-oriented semiotic theories to non-representational contemporary art practices. Intersemiotic translation is used as a vehicle to discuss a participatory, immersive transdisciplinary polylingual sound work. Written from an artist-researcher’s perspective and drawing upon Felix Guatarri’s a-signifying semiotics, it highlights the need for interdisciplinary research projects to employ a flexible model that acknowledges the affective nature of art practice and is capable of addressing the contingent and relational aspects of artistic research.