The Representation of Music

0Citations
Citations of this article
4Readers
Mendeley users who have this article in their library.
Get full text

Abstract

Theories, whether in mathematics or in music, presuppose a world of objects that we can be theorize upon. In mathematics the notion of objects is quite clear, from obvious number domains to high dimensional manifolds. Musical objects, if we may call them thus, are much more elusive. Identifying the musical objects would be nothing less than determining what music ultimately is. So far, no one really knows what happens in the brain when listening to music, what symbolic structures are generated and and how they are processed. The psychology of music does make some inroads, but without effective results useful to the theorizing we have in mind. We are left with the only possibility of grasping musical objects, namely proposing more or less formal schemes for the representation of music, preferably in a mathematical context.

Cite

CITATION STYLE

APA

Milmeister, G. (2009). The Representation of Music. In Computational Music Science (pp. 7–18). Springer Nature. https://doi.org/10.1007/978-3-642-00148-2_2

Register to see more suggestions

Mendeley helps you to discover research relevant for your work.

Already have an account?

Save time finding and organizing research with Mendeley

Sign up for free