Relating Musical Contours: Extensions of a Theory for Contour

  • Marvin E
  • Laprade P
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Different set class-the first to 4-27 and the second to 4-20. For purposes of and , theorists have also found it useful to divide space into a number of interrelated spaces,7 most commonly into pitch space (a linear space of pitches which

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  • Elizabeth West Marvin

  • Paul A. Laprade

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