Distortion-product otoacoustic emission suppression tuning curves in humans

Abstract

Distortion-product otoacoustic emission (DPOAE) suppression data as a function of suppressor level (L3) for f2 frequencies from 0.5 to 8 kHz and L2 levels from 10 to 60 dB sensation level were used to construct suppression tuning curves (STCs). DPOAE levels in the presence of suppressors were converted into decrement versus L3 functions, and the L3 levels resulting in 3 dB decrements were derived by transformed linear regression. These L3 levels were plotted as a function of f3 to construct STCs. When f3 is represented on an octave scale, STCs were similar in shape across f2 frequency. These STCs were analyzed to provide estimates of gain (tip-to-tail difference) and tuning (QERB). Both gain and tuning decreased as L2 increased, regardless of f2, but the trend with f2 was not monotonic. A roughly linear relation was observed between gain and tuning at each frequency, such that gain increased by 4–16 dB (mean ≈ 5 dB) for every unit increase in QERB, although the pattern varied with frequency. These findings suggest consistent nonlinear processing across a wide frequency range in humans, although the nonlinear operation range is frequency dependent.