Women’s in the cultural and creative industries.

Abstract

This article will analyze the representation of women in cultural and creative industries, their participation in the production of cultural assets and the legitimacy and visibility of those produced by women. The hypothesis is that, although in the last decades there has been a feminization of practices, habits and especially of cultural consumption, there is a gap of inequality in the participation of women in management and legitimacy of the cultural field (BOURDIEU, 1995) typical of the cultural and creative industries.