Fragmentation and Relationality in Brexit Narratives: Linda Grant’s a Stranger City

Abstract

The main purpose of this article is to explore the ways in which Linda Grant’s A Stranger City can be defined as illustrative of BrexLit. Many literary critics have argued that the majority of works within the genre of BrexLit primarily address this phenomenon from the British perspective, thus portraying its consequences only for the UK (mostly England) and British characters. I contend that A Stranger City is quite different from these works as it is concerned with the manifold experiences of various European citizens set in London against a background of xenophobia, nationalism and political tensions. Drawing on the tools provided by close reading, I will show how A Stranger City shows some narrative devices that characterise those newest fictions defined as fragmented narratives and networked novels in an attempt to identify the tensions between fragmentation and relationality that have been visible at a political and social level in the wake of Brexit. Using recent research in the fields of diaspora and vulnerability studies, I also aim to demonstrate that Brexit acts as the vertebral axis (dis)connecting Grant’s diasporic characters. In the end, I will attempt to show that this aspect seems to evoke a hopeful future in which the fragmented identities of post-Brexit Europeans have the possibility to flow in a more connected way than ever before.