(Post-)Truth, populism and the simulation of parrhesia: A feminist critique of truth-telling after Hannah Arendt and Michel Foucault

Abstract

Following tropes of light and dark in Amanda Gorman’s poem ‘The Hill We Climb’, the article explores, from a feminist perspective, who counts as a truth-teller. Against the backdrop of Hannah Arendt’s and Michel Foucault’s works on truth-telling, the article theorizes feminist modes of truth-telling. It scrutinizes truth-making in politics while unearthing the andro-centrism in truth-telling. Under the impression of post-truth rhetoric in recent populist landscapes, the article argues for a feminist and intersectional articulation of truth-telling to disclose the gendered and racialized power relations in contemporary masculinist populism.