Abstract
Both released in 1998, the films Dark City and The Truman Show offer very different science-fictionalresponses to the late twentieth century concern of constant surveillance, as CCTV began toproliferate across modern cities. The Truman Show predicts the rise of Big Brother (the TV show),with constant surveillance acting as a form of entertainment for the masses. Dark City is moreovertly science-fictional, set in an environment mimicking film noir but run by aliens. It also depictsJohn Rawls' "Veil of Ignorance" as an experiment run on an entire city, with the aliens rewriting theinhabitants' pasts, social status and identities in order to understand how humanity works. Thispaper looks at how these two films depict the surveillance of the (sub)urban environment as a way ofmanipulating and shaping its inhabitants, and how these depictions parallel society at the end of 20thCentury.
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CITATION STYLE
Fitch, A. (2019, September 1). Dark city and the truman show: Surveillance and the destabilization of identity. Film Criticism. Allegheny College. https://doi.org/10.3998/FC.13761232.0043.203
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