Abstract
While minimalism as a style is characterized by the monolithic technique of “musematic” repetition, the style is, at the same time, capable of projecting a broad range of differentiated affects. Building on the work of Naomi Cumming and Richard Middleton, this paper develops a preliminary typology of “musematic” tropes, based on the intended and experiential effects of ostinato techniques. One particular trope, which I term the “aphasic,” is explored with references to Michael Nyman’s The Man Who Mistook His Wife for a Hat .
Cite
CITATION STYLE
Leydon, R. (2002). Towards a Typology of Minimalist Tropes. Music Theory Online, 8(4). https://doi.org/10.30535/mto.8.4.1
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