El cuerpo en los estudios sobre cine: Gestus femenino, o tecnologías y teratologías del género y de la (pos)memoria

Abstract

"Donnez-moi donc un corps!", the philosophical shout with which the one begins chapter 8 of the deleuzian L'Image-temps, will shape a series of modulations about modern cinema, body, brain, memory and becoming. The hypothesis of this work is that through the concept of "technologies of gender", that emerges from feminism in the same years that Deleuze published his books, will begin another line where the body is not only a concept for theory, but an experimental material-image in the feminist film theory and practice, as well as in the queer theory. In between this two lines would be the concept of "technologies of memories" (and postmemory).