O corpo da dança como arena de valores e o cronotopo do teatro - exercício de análise

Abstract

ABSTRACT The exercise of analysis of performance dance discourse is carried out grounded in Bakhtin’s concept of chronotope. On the basis of the classical ballet genre, theater is established as a constitutive chronotope that materializes its social-aesthetic values spatial-temporally. The analysis of chronotopic transgressions allows identifying the emergence of modern ballet based on two choreographies by Russian artist Vaslav Nijinski.