The dramaturgical infrastructure of counter-summitry–ethnographic insights from the Glasgow climate conference

Abstract

The annual UN climate conferences synchronize major social worlds, including politics, media, business, science, and law. They therefore attract anyone interested in high-profile performances such as protest action. With the post-Paris turn in global environmental governance, scholarly interest in theatrical aspects of climate governance is increasing. Activism at climate conferences, however, has not yet been studied through a dramaturgical lens. We propose the concept of ‘dramaturgical infrastructure’ to complement Goffman’s focus on self-presentation with the material and immaterial context beyond the micro-level of situated interactional practices. Based on fieldwork at the 2021 climate conference in Glasgow, we describe how activists draw on and mobilize a dramaturgical infrastructure of scripts, spaces, rituals, and requisites for their performances, and how this results in role-taking on the Glasgow stage. We identify the roles of the watchdog, the participant, the disrupter, and the connector, each with distinctive patterns of compliance with or distancing from post-Paris climate governance and the news media. The dramaturgical perspective suggests that climate conferences provide encounters that educate activists to be aware of the component of self-presentation in their activism and to design performances for high public, policy, and media attention.