Abstract
… Thus, we see the double edge of the broadcasts' institutional dramaturgy--by leveraging the prestige of the Met and the glamour of figures such as Renée Fleming to win over new opera fans, they can't help but reinforce the inherent exclusivity of the real thing. Peter Gelb has …
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CITATION STYLE
APA
Steichen, J. (2009). The Metropolitan Opera Goes Public: Peter Gelb and the Institutional Dramaturgy of The Met: Live in HD. Music and the Moving Image, 2(2), 24–30. https://doi.org/10.5406/musimoviimag.2.2.0024
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