Abstract
Art is disaggregated into tangible and intangible offerings. Intangible art is one-time experiences of aesthetical and nostalgic products with no post-consumption exchange value. Tangible art preserves post-consumption exchange value. While psychographics of the consumers of intangible art are well-established, consumers of tangible art are under-researched. This research identifies and measures 16 different motives that underlie the purchase of artwork, collectibles and antiques. Heavy-consumers are found to score significantly higher than light-consumers on 8 of these motives: expected price fairness (economic); social acceptability and group identification (normative); aesthetics, pleasure and immersion (hedonic); culture (intellectual); and harmony. Findings are discussed and implications and limitations are also included.
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CITATION STYLE
Zolfagharian, M. A., & Cortes, A. (2011). Motives For Purchasing Artwork, Collectibles And Antiques. Journal of Business & Economics Research (JBER), 9(4), 27. https://doi.org/10.19030/jber.v9i4.4207
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